Tulpa · Stand Your Ground
DP · Editor · HDR Colorist
DAVID LAPOSI / COLORIST & FILMMAKER
Every frame.A feeling.
A creative eye. A technical mind.
From set to screen.
01 / THE WAY I SEE IT
The best grade lets you
feel the story.
I’m David. I shape the image’s character,
then protect it all the way to the final screen.
SELECTED FILMS
Made to be felt.
SkillX · The soul of human resource // Ad
Director · Editor · Colorist
Trickster · Silent Night / Santa Claus (unofficial HDR version)
HDR Colorist (unofficial version)
L’Occitane
Colorist
Meló-Diák · FLOW
Director · Editor · Colorist
Proper Bones
Colorist
Music videos. Commercials. Personal films.
All films
SPACE COLOR STUDIO / BUDAPEST
A dark room.
An open mind.
In the room. Or across the world.
A shared view of the same image.
COLOR / EDUCATION / MENTORING
Look with curiosity.
Choose with intention.
I teach the thinking behind the grade. We look at real images, ask what they need, and connect every adjustment to a reason you can explain.
Shared analysis in DaVinci Resolve. Questions that shape the lesson. Practice that helps you find your own way.
Find your way to learn- ObserveWhat do you see?
- Name itWhat needs to change?
- DecideWhich move serves the image?
- CheckDoes it work in the film?
03 / FROM THE FIRST TAKE
Your image.In good hands.
Behind every picture is a chain of trust.
I care for the image, from the camera to the final screen.
Dune: Part TwoDIT assistant DailyCredits on IMDb 
Glass Onion: A Knives Out MysteryData management technicianCredits on IMDb 
Black WidowData management technicianCredits on IMDb 
The Unbearable Weight of Massive TalentArray camera DIT Substitute supervisorCredits on IMDb 
The Alienist: Angel of DarknessData management technicianCredits on IMDb 
BorderlandsDIT Additional unit / Marketing · DailyCredits on IMDb 
On Body and SoulAvid technical support · Post-productionCredits on IMDb 
The Good Ship Murder Seasons 2 & 3DITCredits on IMDb 
Tom Clancy’s Jack RyanDMT · DailyCredits on IMDb 
Mrs. Harris Goes to ParisCamera test coloristCredits on IMDb 
Homeland · Season 7Playback editorCredits on IMDb 
HannaPlayback editorCredits on IMDb Selected productions / DIT · DMT · Image workflow
Individual credits are listed with each film.
ON SET / IMAGE WORKFLOW
Care for the image.
Free the imagination.
From the DIT cart, I support the people behind the picture: helping with exposure, look decisions and a clear, reliable path for the footage.
Meet David on set04 / THE PERSON BEHIND THE PICTURE
Always looking.Always curious.
David. In full color.
I started in the edit suite. I stayed for everything an image can do.
My work moves between the grading room and international sets. Editing taught me to see the whole film. Curiosity keeps taking me somewhere new.
Creative AI. Human intention.
Visual exploration and smarter workflows, guided by the story and my own creative judgement.
WORDS FROM THE PEOPLE I WORK WITH
Kind words.Good company.
“You are the person who I want to work with.”
“I just realized that I should trust your eyes more.”
“Your attention to detail is greatly appreciated!”
“I see you as an innovator, not an imitator.”
“We couldn’t do it without you David”
“Your skills are invaluable and whatever I do next I’ll certainly look to have you aboard.”
“This is a thing: Your amazing badass demo reel.”
“David these are looking good! nice job, please invoice!”
ACROSS COLLABORATIONS & PRODUCTIONS
Selected collaborators and companies behind productions I’ve contributed to. Individual film roles are listed with the credits.
THERE’S MORE TO THE PICTURE
Lookdeeper.
YOUR NEXT FILM STARTS WITH A CONVERSATION.
Let’s makean impression.
[email protected]
+36 30 470 0688
Budapest · Working worldwide
