Backed Up
On Set
Saved for the Production
hello there!
I'm excited to embark on this creative journey with you. As your DIT, I'm not just here to handle the technicalities; I see myself as a partner in your visual storytelling. Think of me as the guardian of your vision, ensuring that what you capture through the lens is faithfully translated onto the screen.
🌟 Your Vision, My Mission: I understand the depth and nuances of your role as a DP. Your experience, taste, and vision guide us, and my role is to complement and enhance that. From the subtleties of light to the complexities of color, I'm here to make sure your creative intentions are not just met, but exceeded.
🎥 Guardian of Quality: Recording the signal without disruptions, maintaining the integrity of the light captured by the sensor, and preserving data under your envisioned direction are my primary goals. Whether we're shooting in RAW or navigating through different formats, I'm here to ensure that the technical aspects support your creative choices seamlessly.
🔧 Tools of Collaboration: My cart isn't just filled with gear; it's an extension of your canvas. I adapt and tailor it to fit the needs of each specific project, ensuring quick and efficient support for your artistic process. Think of it as a mobile hub of creativity, ready to adapt to our project's unique demands.
💬 Open Communication, Consistent Support: I believe in the power of communication and collaboration. Staying close to you and the action, I'm always available for a quick chat, a technical question, or a creative discussion. Let's maintain a synergy that allows us to create something truly remarkable.
Together, we can ensure that every shot is not only technically sound but also a true reflection of your artistic vision. Here's to a collaboration that brings out the best in our abilities and leaves a lasting impression on every frame!
“Hey UPM!❤️ You focus on the big picture, I’ll handle the DP’s details. 💪”
“I’ll help 🫡”
Safty and Backup:
Safely backing up raw footage from any camera type, including GoPro, DJI, drone, and professional cinema cameras, with data duplication to ensure security.Onset Dailies Creation:
Capable of creating dailies that reflect the cinematographer's creative intent, whether color-graded or ungraded.Media Upload and Offload:
Able to upload and download footage from various international or remote locations, ensuring secure delivery to the editorial team and seamless communication for post-production needs.Onset LUT Creation:
Skilled in creating location-based LUTs for the cinematographer’s specific needs, ensuring immediate visual consistency.Quality Control and Calibrated Environment:
All equipment is regularly calibrated and maintained, guaranteeing the production sees precisely what is created on set.Remote Camera Control:
Able to remotely manage cameras, swiftly resolving any camera-related issues to keep production moving efficiently.
“Experience? Here is a list from the last few projects:”
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ROMKOM: Hungaryan Romantic comedy (5 days) (DIT)
The Good Ship Murder S03: British TV Drama 64 day in 6 countrys. (DIT)
I worked as DIT on an SAP-2024 keynote commercial.
I worked on Maigret, a Paris-set English series, as DIT (Daily).
The Good Ship Murder S02: British TV Drama 65 day in 8 countrys. (DIT)
The Pendragon Cycle: American tv series (DIT Dayly in Italy Rome)
COMA: British TV series, (DIT+DMT) (Daily)
LOVERAT : TV series shooted at Cyprus 30 day, (DIT+DMT)
DIT Assistant: Dune: Part Two (Daily)
Data Management Technician (DMT) Knives Out 2: The Glass Onion Mystery (60 Day)
Digital Image Technician (DIT) at
Borderland ands 2U (Daily)
DMT/Data Wrangler for The Pigeon Tunnel ApleTv+ (Daily)
Digital Image Technician (DIT) at Borderlands Marketing Shoot (Daily)
Digital Image Technician (DIT) (daily) at TR34D5T0N3.
Data Management Technician (DMT) (daily) in a series Tom Clancy's Jack Ryan
Data Management Technician (DMT) in a series Alienist: Angel Of Darkness
Data Management Technician (DMT) in a Marvel movie, Marvel: Black Widow
Data Management Technician (DMT) Chernobil, the Russian series.
Data Management Technician (DMT) (daily) in a series called Barbarians, Netflix
Array cam DIT and substitute Supervisor in a feature with Nicolas Cage, The Unbearable Weight of Massive Talent.
DIT in a TVC called Vip Casino.
DIT in a TVC for BAV Hungary.
DIT in a TVC for Gránit Bank Hungary.
Dailies supervisor and colorist in a Netflix feature - Battle II
Camera test colorist in a Netflix feature - Mr. Harris goes to Paris.
Digital Image Technician (DIT/DMT) at TVC Iqos.
Digital Image Technician (DIT/DMT) at online UNICEF content.
Post Production Supervisor at Hungarian Masterclass for Forbs Hungary
Data Management Technician (DMT) in Indian Movie called Saher.
Data Management Technician (DMT) in TVC Kraftbot.
DIT/DMT for Tchibo commercial.
DIT/DMT at 3 commercial for Laxaclean.
24fr playback editor for the american tv series Homeland S07
24fr playback editor for the TV series called Hannah.
Behind the scenes team at feature film called SAS: Red Notice with Ruby Rose.
2nd AC at a Music video for SCRLRD UK.
2nd AC in a feature film for Netflix titled Natale a 5 Stelle. -
I graded Hancsovszky, a feature film by Sándor Lackzó, in DCI-P3 (P3-48/D65-48 cm2) as part of an international co-production.
Working for Mission Film And Design San Francisco remotely from 2022.
Creator (DP/DIT/EDIT/HDR COLOR) for "Tulpa Stand Your Ground," an empowering music video highlighting the importance of standing up for oneself
Colorist for Bahrain project, a visually stunning tourism campaign promoting the beauty of the country
Color graded HoneyBeast's "Panik" HDR music video,
Colorist for ALP001 "Proper Bones," a visually engaging short film with rich storytelling
DMT/Data Wrangler for "Grasshopper," an animated project exploring the world of insects
Colorist for Mumbai project, a dynamic video showcasing the vibrant city
Colorist for Sub Seo, an attention-grabbing commercial for a digital marketing agency
Colorist for "Akarki fia," a visually striking film exploring the concept of family and legacy
DMT/Data Wrangler for "Satan," a horror film with bone-chilling visuals
Post-production supervisor for "Besugo," a thrilling action-packed project
Colorist for HAL034 AAA CovCon, a visually captivating commercial with a futuristic aesthetic
Color graded a short trailer for Andor Zahonyi - The HUN - The first Hungarian Superhero.
Color graded an Imagefilm for OMSZ Hungary.
Color graded and edited and (DIT) four TVC and online content for OMSZ Hungary.
Editing and Grading TVC for Decathlon Hungary.
Color graded a TVC for Himalaya.
Color graded a Music video called Love for Hungarian band Punnany Massif.
Directing, editing and grading a Music video called Ballet with Hungarian DJ Jumo Daddy.
Coloring Music video for Hungarian Artist Zsófia Kemény.
Color graded TVC for Budapark.
Color graded a short called Nővérfilm. Director Pejó Róbert.
Color graded Music Video directed by Miki357, Margaret Island - Road Movie.
Color graded Music video for Kelemen Kabátban - Directed by Pallag Péter.
Graded a short film Voluman. Director Csaba Laskai.
Directed an AR Content for Adidas At Madrid with Marcelo Vierra.
Directing, editing and grading a commercial for Meló Diák called Flow.
Directing, editing and grading a commercial for Meló Diák called App.
Color grade a commercial for L'occitane.
Color graded a UPC commercial to Studio-X.
Graded a Music video Paja Bea - Két Ház
Graded an short film called Szikesföldiek.
Color Graded a commercial for Driving camp Hungary.
Color graded a Music video for CHAIN BRIDGE POP – Vigyél el.
Color graded a Music video for Substance
Color graded a music video - Kelemen Kabátban - Road Movie
“By asking the right questions and understanding each department’s unique needs, we can build a workflow that makes everyone a happy stakeholder in our project. 🔥”
Looking forward to creating visual poetry with you!
Warm regards,
David
+36304700688
david.laposi@gmail.com